FEARBOT

A lot changed during the second week of shooting including the weather, moving from interiors to exteriors and transitioning from day shoots to night shoots. This was also when the script moved on from the scenes where the characters arrived at the cabin during the first week, to scenes where the creepy, scary stuff starts to occur.

On Monday the 21^st, the clear, sunny skies we’d been experiencing suddenly turned dark and rainy, and my morning scenes were cancelled then pushed to later in the day. We also had a night scene that was postponed several hours due to fog. It’s strange: every few hours the weather seems to change here in Michigan, but except for having to swap around a few scenes here or there, we’ve been extremely lucky in that nothing has been completely ruined or scrapped by the rain.

GRAY/GREY, WHATEVER

On Tuesday of last week most of the cast and crew took off for neighboring county, Farwell, to let off some steam and to celebrate 2nd AD Ali Locke’s birthday at a bar called DJ’s Lounge. The drinks were cheap and the karaoke was rockin’, a combination which made for a fun, memorable night. Line Producer Brian Raider kicked things off with a heartfelt rendition of Celine Dion’s “I’m Your Lady” and I continued the festivities with Prince’s “Let’s Go Crazy.” Later, costar Shelley Dennis and I tore it up with the Prince/Sheena Easton duet, “You’ve Got the Look” and Michael Cornacchia brought the house down with his belting of Journey’s “Don’t Stop Believin’.” My fellow actor, Jeff Lorch, and I ruled the pool table undefeated (a win from a scratch on the 8 ball is still a win) before we all called it a night and drove back to the set.

DA CREW

The next day we began our night shoots, going from 6pm to 6am, if I’m remembering correctly. It really wasn’t that hard for me, and I think much of that was due to the fact that I regularly stay up past 4am most Mondays and Thursdays finishing up JEFbot strips. The hard part was sleeping during the day, since I find sleeping past 1pm difficult, even when we wrap late and I don’t get to bed until 9 or 10 in the morning. Also not helping was getting sick with a cold that had been going around the set since our arrival, and waking up in the afternoon, burning up and sweating profusely. Not pretty, but it only lasted a few days.

The thing I’ve loved most about the night shoots has been the amazing sunrises greeting us as we walk back to our cabins, and the campfires Kevin Parson makes almost every morning for us to relax by once we get back. The cast and crew isn’t able to do as much partying by the fire now that we’re doing night shoots; it just seems wrong somehow to start popping beers at 7 in the morning and most of the cast and crew are too exhausted at that time anyway. While we’re all still having fun, the workday definitely seems longer now.

WE EVIL

Less than a week left to go, and I feel we’ve all gotten into a groove of working and living together now. I know this last week of shooting is going to zip by in the blink of an eye so I’m trying to enjoy and appreciate everything about making this movie while it’s happening. Unfortunately, I know this amazing experience is going to end way too soon.

For daily updates check out my twitter feed at: http://www.twitter.com/jefbot

STEAMY STACY & SHELLEY

The last week of filming went by just as fast as I feared it would. Faster, even. Even though my brain was pretty addled from lack of sleep due to the constant night shoots, and I was beginning to crave a more varied menu after eating two weeks of craft service, and the cabin I was staying in felt more and more cramped as my cabinmates and I grew less formal with each other, I loved every minute of it.

Since the film was shot in (mostly) chronological order, the final week of shooting was where things got crazy in the script. It’s at this point in the story where my character, Brian, gets abducted, then returned by the aliens, much to the shock and confusion of himself and his friends. Brian’s the third person in the film to get abducted, so the three of us abductees (Jeff Lorch, Shelley Dennis and I) became known as “The Creepies” whenever we were being directed on the set, due to the zombie-ish look we sported once we’d been “taken.” Being a Creepy was insanely fun, and my favorite part of acting in this film. At one point, my character has a t-shirt and sweatpants on, without shoes, and the scene called for The Creepies to be running with the rest of the “Normals” (Stacy Jorgensen, Aaron McPherson, Michael Cornacchia and Anne Griffin) outside, at night, in below-30 degree weather. Needless to say, running across the frost on the grass was like running over crushed ice, and my feet would be freezing after each take. As those following my Twitter feed may remember, Jeff Lorch would carry me back to our first mark “Tauntaun” style, where they would have a warm, dry towel waiting for me. As much as my feet would ache (kind of felt like a “brain freeze” on each foot) while thawing out, I always had a blast and couldn’t wait until we were all in front of the camera again.

THE CORNFATHER HARNESSED!

As far as letting off steam and partying – as I mentioned in Grey Matter_03 – the night shoots put an end to most of that. However, the cast and crew were so cool that we wouldn’t mind just hanging out with each other between takes, setups or call times. Some of my favorite memories include: creeping around an empty house, searching for sodas with Anne, then watching “Evil Dead” in the dark while a huge rainstorm erupted outside (we had to be driven back to our cabins later); laughing hysterically at comedic sketches Jeff Lorch and I would run through every time we’d see each other (I can’t even begin to explain); watching “Donnie Darko” on a laptop back at one of the small cabins at 3 in the morning with Shelley while the two of us were on hold one night; hanging out in a cool little coffee shop in nearby Clare County with The Cornfather, when a gaggle of teenage girls who had heard of us filming Grey Skies, swarmed us with cell phone cameras and questions; drinking mimosas in celebration of picture wrap with Anne, Shelley and Jeff. Sure, I missed our times as a group around the fire, but the fun I had hanging with many of the people on the set solidified a bunch of new friendships. So much of the time, after being on a set or stage with a group of people, everyone says how they should all stay in touch and hang out after whatever production they’re doing, but it never happens. In this case though, Anne and I have been hanging out a ton, I’ve met Shelley for coffee, and have plans to hang out with Lorch soon. A small miracle in this town (at least for me)!

MEEMOSAS!

Now that I’m back in Los Angeles, and back at my day job for a week, I’ve had a lot of time to reflect on (and miss) my time in Michigan doing what I love to do, which is act. This experience has lit a new fire under me with regard to my acting career, and I hope to keep that fire burning by finding ways to get onto more sets. With a lot of work, my hope is to get more auditions in the next few months than I’ve gotten in the past year, and that’s entirely doable. I’ll try and blog and/or Tweet about my progress as that helps keeps me motivated and accountable in many ways. Being on the set of Grey Skies has reminded me that I love acting just as much as I love doing JEFbot, so I have to try and balance the time I put into both while keeping my day job. I just wish sleep wasn’t so necessary.

So that’s it for Grey Skies for the time being. One day being on set and the next being back at work was kind of a shock, and I’m already missing the incredible people (Kevin, Ali, Sonya, Shorty, Andy, Josh, Jeremy, Teri, Ryan, Brian, Banzai, Dede, Greg) and environment (apart from the cold, mosquitoes, sulfur ponds, etc. the county of Lake, Michigan is BEAUTIFUL) that made this experience one I’ll never forget. I’m especially grateful to producer extraordinaire Michael Cornacchia for getting me the audition, Mark Reilly for writing such an excellent part (and script!), Kai Blackwood for being passionate about me for the role of Brian and directing such an awesome film, and Stacy Jorgensen for trusting in me and my talent to be in her movie.

WRAPPED.

Now let’s hope this movie rocks and appears in a theater near you sometime soon! You can be sure I’ll keep this blog updated with any news as post production on the movie begins.

Okay, so now I’m convinced the Fates are conspiring against me putting out new JEFbot strips. At least the reason for the delay this time is a bit more fun: Longtime readers will remember I took a hiatus a while back to film a horror movie called Grey Skies. Well, after picking up numerous festival awards (including the Audience Choice Award at Shriekfest and the Best Feature Film Award at the Santa Fe Independent Film Festival) and a limited theatrical run, Grey Skies is now available on DVD! (And as it so happened, the DVD release party was last night, and I got home too late to finish today’s strip.)

If you’re interested in seeing the movie (which also stars Michael Cornacchia, the inspiration for The Cornfather in the strip), it’s now available on Amazon.com, just in time for Halloween! Here’s the link:
• Grey Skies DVD

And here are my previous posts about my time in Michigan filming the movie:
• Grey Matter_01.The Arrival
• Grey Matter_02.The First Week
• Grey Matter_03.Nights Into Dreams
• Grey Matter_04.Parting Grey Skies

Unless something unforeseen occurs (and I wouldn’t rule that out,) I’ve completely cleared my schedule the next two days so I can get to JEFbot as soon as I get home from work, which means I can practically guarantee that I’ll be back on schedule this Friday with a new strip as we start wrapping up The Angry Scarf storyline! Once again, I thank you for your patience and understanding as Life sometimes gets in the way of me working on JEFbot, which is still one of the biggest passions in my world right now, and which I excitedly look forward to returning to after the past couple weeks of distractions!